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Doruk Yayınları İmajın Hissi: Yeni Türkiye Sineması ve Fenomenoloji
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Sensation of the image: new turkish cinema and phenomenology book description in this book, leaning on the film-phenomenology tradition that emphasizes the importance of bodily experience in cinema, “can new turkish cinema offer a multi-sensory and material experience? Action was taken based on the question.
First, the fundamental problems of the current film-phenomenology discipline are identified and it is established that the viewer ' s body has a central position and, therefore, the technical, physical and photochemical processes that create the filmic image are neglected.
Subsequently, by bringing together siegfried kracauer's materialist approach and maurice merleau-ponty's existential phenomenology, material film-phenomenology was proposed as a new method, and films such as innocence (zeki demirkubuz, 1997), egg (semih kaplanoğlu, 2007), present time (belmin söylemez, 2012), raid: karabasan (can evrenol, 2015), dizziness (zeki demirkubuz, 2015), and anxiety (ceylan özgün özçelik, 2017) were examined using this method. As a result of the analyses, it has been shown in this study that the senses of smell, touch, and taste also have a place in the cinematic experience that envelops the body with the reunion of the image with the body. Film art establishes a multi-sensory experience that touches our perception, our universal body, and the world we live in, thanks to the symbolic images it produces both in representative size and with its recording mechanism.
(from the promotional bulletin) book title: the feeling of image: new turkish cinema and phenomenology author: ahmet emin bülbül publisher: doruk publications dough type: 2. Number of dough sheets: 216 size: 13 x 21 first printing year: 2022 number of prints: 1. Press language: turkish barcode: 9789755539591
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- Barcode No: 9789755539591
- Origin: TR












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