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Cimri moliere / anonymous publishing year of publication: 2015 Edition: 1 Number of pages: 159 Paper type: book paper Size: 14 x 21 Language: turkish Skin condition: cardboard cover
Isbn: 6051001814 Author: moliere For the first time, in 1663, the cimri, which was played at the palais royal, revolves around a very stingy person, harpagon and his family.
moliere's cimrisi harpagon does not accumulate for a more comfortable and happier life.
it is an end in itself to own more money-alt-mall for him. He lives stinginess not as a simple hoarding of goods and money, but as a kind of meta-fetishism.
it is not only a miserly mood to fetishize mera by giving them meaning beyond their use values. However, the biggest feature of harpagon is not hiding behind lies like “i'm saving for my old age, i'm gaining for my children.” It's a shout out.
therefore, it never gets into the treatment what they have saved.
it is like a street stall.
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- Barcode No: 9786051001814
- Origin: TR
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First performed in 1668 at the palais royal, molière's the miser revolves around harpagon, a man of extreme stinginess, and his family. for harpagon, accumulating wealth – be it money, gold, or possessions – is an end in itself, rather than a means to a more comfortable and happier life. his miserliness isn't simply a reluctance to part with goods and money, but a kind of meta-fetishism. metals, for him, carry meaning beyond their utilitarian value, and his fetishization of them is not just a characteristic of a miser. however, harpagon's defining trait is his refusal to hide behind lies in old age, instead shouting, "money, money!" this is why he never puts his savings to good use. he is like a black hole.










