oraşlı Amber Prayer Beads with a Brushed Base and Embroidered Back, Made from Old German Apricot Wood – Master Ömer Naci’s Antique Ottoman Mihter Lathe with a Fine Havşa Transition – 9.50 x 10.85 MM Caliper and Balance

ROLLED FROM THE BOTTOM, EMBROIDERED ON THE BACK – THE DISTINCTIVE CHARACTER OF TRADITIONAL GERMAN APRICOT DOUGH

In traditional prayer bead craftsmanship, the form and surface details that the artisan imparts to the material are just as important as the nature of the material itself.

This special work,Made from old German apricot-wood amber-colored material, this piece stands out for its design featuring a raised base and a fluted (shaved) back; it showcases the delicate, tapered turning craftsmanship in the antique Ottoman mihter style by Master Ömer Naci Oraşlı,It is a special study.

Its full-bodied, well-balanced beads—measuring 9.50 x 10.85 mm—and its clean, lustrous surface come together through traditional craftsmanship.

ANTIQUE GERMAN APRICOT DOUGH PRESS, AMBER MATERIAL

The foundation of this workAntique German apricot-shaped amber dough pressCreates.

Apricot-colored amber is one of the traditional types of pressed amber recognized in the world of prayer beads for its distinctive warm color.

The antique material used in this piece has a unique appearance due to its design, which features a tapered base and a beveled back.

The fact that the material is old does not mean that the lathe work performed today dates from the same period.

CHARACTERISTICS OF MATERIALS TO BE APPLIED FROM THE BOTTOM UP

One of the standout features of this rosary isIt has a bottom-up structure.

The term "sürmeli" is one of the specialized terms used in the prayer bead market to describe the color and surface characteristics of the material.

This piece, described as "painted from the bottom up," highlights the material's distinctive appearance.

This detail is one of the key features that complement the prayer beads’ overall color scheme and visual identity.

BACK-EMBROIDERED – SHAVED SPECIAL DESIGN

Another important feature of the workIt is that it is shaved on the back.

The turning process refers to the reshaping of a material’s outer surface through turning.

In this work, a structure with a shaved back is combined with a character that glides from the bottom.

The combination of the material’s different surface characteristics in a single piece is one of the prayer beads’ distinctive features.

THE EXCEPTIONAL CRAFTSMANSHIP OF MASTER ÖMER NACİ ORAŞLI

This is a workThrough the lathe work of Master Ömer Naci OraşlıHas been prepared.

Traditional German apricot dough was transformed by the artisan’s craftsmanship into pellets measuring 9.50 x 10.85 mm on a caliper.

The antique Ottoman mihter style, the delicate transitions between the recesses, and the clean surface finish define the craftsmanship of the piece.

In the artist’s work, a traditional understanding of form is combined with the material’s unique appearance.

ANTIQUE OTTOMAN MIHTER STYLE

One of the key features of this prayer bead set isIt is a lathe form in the style of the antique Ottoman mihter.

The Mihteri style is a specific term used to describe a particular form in traditional prayer bead craftsmanship.

In this work, the Mihter character is complemented by its full-bodied and well-balanced grain structure.

The term “Ancient Ottoman” does not refer to the fact that the prayer beads were produced during the historical Ottoman period, but rather describes the traditional style of craftsmanship.

THIN-WALLED TURNING MACHINE

In this worklathe work with fine-tapered transitionsHas been implemented.

Havşa transitions refer to the specific terminal form formed at the entry points of the grains.

The "thin indentation" technique is one of the technical details involved in the craftsmanship of prayer beads.

In Ömer Naci Oraşlı Usta’s work, this detail is combined with the traditional mihter style.

9.50 x 10.85 MM VERNIER CALIPER DIMENSIONS

The beads of the prayer beadsIt measures 9.50 x 10.85 mm on a vernier caliper.

The 9.50 mm width gives the beads a distinct and full-bodied appearance.

The 10.85 mm length, meanwhile, rounds out this design with a slightly elongated shape.

Between width and height1.35 mm differenceis located.

This balance of proportions gives the piece a full, slightly elongated appearance.

The craftsmanship of the caliper mizan refers to the preparation of the pills in accordance with each other in terms of size and form.

Full and balanced habbe form

The beads, which measure 9.50 x 10.85 mm, have a fuller shape than thin, long prayer beads.

This form provides a distinct grip sensation between the fingers.

The slightly elongated shape of the grains facilitates their controlled movement during harvesting.

CLEAN AND SHINY TURNED SURFACE

In the work of Ömer Naci Oraşlı Ustaclean, shiny, and smooth turned surfaceIt is in the foreground.

The uniform shape of the beads, the smooth transitions between the beads, and the meticulous surface finish all contribute to the piece’s overall appearance.

The fact that it is made from old material does not mean that the newly turned surface of the prayer beads is worn out.

SENSATION OF ATTRACTION AND FLOW OF ENERGY

For prayer bead enthusiasts, a piece’s charm is just as important as its appearance.

This work,with smooth gear shifts and a balanced driving feelIs described.

The beads, measuring 9.50 x 10.85 mm, are shaped to allow for controlled movement between the fingers.

A clean lathe surface facilitates the smooth guidance of the chips.

The sensation of the pull may vary depending on personal preference.

TRADITIONAL OTTOMAN AESTHETICS

This study is linked to the concepts of form and craftsmanship seen in traditional Ottoman prayer beads.

The Mihteri-style lathe work, the delicate transitions between the flutes, and the full-bodied shape of the bell complete this aesthetic character.

The preparation of this traditional German apricot dough using this craftsmanship gives the prayer beads their distinctive appearance.

FOR DAILY SHOOTING

These 9.50 x 10.85 mm beads are a good option for those who prefer a full yet slightly elongated look in their everyday jewelry.

The balanced form, clean turned surface, and subtle transitions between the flanges complement the piece’s functional character.

Special gift alternative

This antique German apricot-wood amber-colored dough press, with its design featuring a groove at the base and a raised pattern on the back, is crafted in accordance with Master Ömer Naci Oraşlı’s traditional approach to craftsmanship.

These items offer a meaningful gift option for those interested in the traditional art of prayer beads.

HEIRLOOM-QUALITY CHARACTER

This work,heirloom chestIt is a rosary that can be carefully preserved with this understanding.

The traditional German apricot-wood material, Master Ömer Naci Oraşlı’s woodturning craftsmanship, and the piece’s distinctive surface texture are the characteristics of the work deemed worthy of preservation.

The term "heirloom" refers to the idea that prayer beads are considered an item that can be carefully preserved and passed down to future generations.

This description does not guarantee a definite increase in value in the future.

Features of the product

• Material:Antique German apricot-shaped amber dough press
  
• Material character:Pull from the bottom
  
• Surface feature:Back-embroidered (shaved)
  
• Lathe master:Ömer Naci Oraşlı
  
• Work style:Ancient Ottoman mihter
  
• Lathe details:With a shallow fillet
  
• Habbe size:9.50 x 10.85 mm
  
• Character of measurement:Mizan caliper
  
• Habbe form:Plump and slightly long
  
• Aspect ratio difference:1.35 mm
  
• Surface:Clean and shiny
  
• Attraction character:Smooth and balanced
  
• Use:Daily withdrawals, gifts, and safe deposit box storage
  

DETAILS THAT SET THIS WORK APART

1. Traditional German apricot dough:It stands out for its traditional hand-pressed amber character.

2. Bottom-fed structure:It highlights the material's unique color and surface characteristics.

3. Back-embroidered (shaved) surface:It complements the work’s composition and unique appearance.

4. Ömer Naci Oraşlı: Master Craftsmanship:It embodies the traditional Ottoman mihter-style approach to woodturning.

5. Lathe with a fine-tapered spindle:This is an important detail that completes the technical finishing of the beads.

6. 9.50 x 10.85 mm vernier scale:It features a plump, slightly elongated grain shape.

FINAL WORDS – TRADITIONAL MATERIALS AND CRAFTSMANSHIP

A special prayer bead made from antique German apricot-wood amber material, crafted with a smooth surface on the bottom and a fluted (shaved) design on the back, and finished with the delicate, tapered turning work in the antique Ottoman mihter style by Master Ömer Naci Oraşlı, measuring 9.50 x 10.85 mm according to caliper measurements.

A piece that stands out for its plump bead shape, clean and polished turned surface, traditional craftsmanship, and distinctive material character.

Antique German apricot-shaped amber dough press.
A structure that slides from the bottom.
A surface with a brushed (shaved) finish on the back.
Ömer Naci Oraşlı: Master Craftsmanship.
Ancient Ottoman mihter style.
Lathe with a fine-radius transition.
9.50 x 10.85 mm vernier scale.
Plump and well-balanced grains.
Clean and bright surface.
Smooth transitions between scenes.
A heirloom chest.

A striking piece for those seeking a blend of traditional prayer bead aesthetics, the character of vintage materials, and meticulous craftsmanship.

About the photos

Our photos are taken by us in natural daylight.It is intended that the actual tone, surface texture and detail of craftsmanship of the product may be seen as natural as possible.

Depending on the camera, ambient lighting, and screen settings, there may be slight variations in color tones.